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12 Reclaimed Woods of New York City

How many types of trees on earth? 60,000 is a good working number, according to Colin Trudge, an author on the subject. Of this total, an NYC hardwood dealer carries about twenty-five varieties in the form of solid lumber. The reclaimed wood species that are harvested locally is about half this number (roughly twelve), and half of these, or a handful, make up the bulk of antique and vintage woods salvaged in the city. The list includes Longleaf Pine, Red Spruce, Eastern Hemlock, Douglas Fir, Eastern White Pine and Shortleaf Pine.  Of these, two predominate; Red Spruce (Picea rubens) and Longleaf Pine (Picea palustris) – the former comes from multi-family residential buildings (tenements etc.) and the latter from commercial structures (warehouses, etc). In looking at the antique and vintage lumber that flows into the city’s c & d waste stream, just one, Red Spruce, remains at the top of the waste heap in its potential environmental value. It represents the largest volume of reclaimed lumber and is currently the most difficult to re-use. The issue of recycling this and other “Large dimensional lumber”, is now being taken up by New York City government and an Urban Green Council task force. see “NYC Lumber Law”.

The following links to a brief profile of twelve woods that are reclaimed from dismantled structures in NYC.

Twelve Woods

Photos from istockphoto.com unless otherwise indicated.

Aaron Mason Hauser:  Rammed Earth + Recovered Redwood

The Redwood tree is an icon of nature. But American soil has seen many other remarkable structures take root and rise; a little known one being the rammed earth building.  Thomas Jefferson was a supporter of the architectural technique, dating back to 5000 BC in China. In1806, Rural Economy, by S.W. Johnson was the first book published in the U.S. on the subject. Interest eroded after WWII, when the cost of building materials dropped, and it was not considered suitable for modern construction. But rammed earth is making a modest comeback.

The NYC Dept. of Buildings is unlikely to ok plans for a rammed earth skyscraper any time soon, but Rammed Earth buildings are found on every continent, with thirty percent of the planet using earth in construction. The walls, which can include earth, chalk, lime and gravel, are easy to build, durable (with upkeep and protection from water) and have great thermal mass, making them extremely sustainable.  

Brooklyn furniture designer, Aaron Mason Hauser, has studied and worked on these structures in Tennessee and Pondicherry (India). But with scare soil and space in the city, he’s turned to smaller scaled furniture and interior spaces; still drawn to the woods sustainability, and the “materials beauty and a desire to create spaces that make people feel good”. In the center piece above, Hauser creates a table to divide this small urban kitchen and living space, that functions for both a kitchen and office. The striking furniture work is made from old growth Redwood, reclaimed from dismantled mid-century pickle barrels.(photos above: Life Magazine, Aaron Hauser).

Elitist Wood For Everyone

One thing a wine-bar can share with the traditional corner bar (beside wine), is the ever-present use of wood, and more often these days it’s reclaimed. That’s the choice at Terroir’s most recent Manhattan location. Terroir, NYC’s new ‘Elitist Wine Bar For Everyone’ was recently uncorked in the Murray Hill neighborhood. With the help of Richard Lewis Architect, the space installed a bold grid of 2” x 12” antique Heart Pine as a back drop to the bar space, along with using the woods for additional counter applications. The antique wood was milled from  salvaged timbers (approx. 12×12) of a 19th c. Connecticut elementary school. The clean lines of the re-sawn lumber still retained the character marks of nail holes, surface checks and the aged woods rich grain, which appears to be just the right vintage for the intimate wine bar environment.

The Wood Reserves of WWII

Recycling in the U.S. may have peaked during WWII. Even the nations cigarette wrappers (made of lead) were neatly pressed into piles for re-melting into bullets. Other scrap, especially steel, was in high demand for the war , which resulted in an exchange of steel for timber in some construction. That was the case at Port Newark, NJ, where Sawkill Lumber recently salvaged huge Doug Fir timbers (12 x 12 x 40’ and 12 x 16 x 36’), which framed a c.1942 storage warehouse (stretching three football fields!). Doug Fir has a remarkable strength to weight ratio (the highest ratings of any western softwood – in bending, tension and compression), a warm reddish-brown figure, and is easily milled. And reclaimed, there’s added reason to salute this WWII era veteran, re-enlisted in the fight for sustainability. (photos: WWII poster, Port Newark, NJ, Boulder, CO).

Southern Roots

People uprooted from far away and extreme places on earth often find a home in New York City.  The same is also true for the materials that surround them. Take an old growth Cypress ceiling recently installed in a lower Manhattan interior. The wood (Bald Cypress:Toxodium distichum) originated in the dense swamps of the South, slow growing (among the slowest aging trees on earth) over seven hundred years. The soaring trees were then cut down for lumber in the early 20th c, and then milled, in this instance, for storage tanks – wine, brandy and whiskey.

The architect, Tonos Design Studio, appeals to our nostalgia with these vintage woods, while reversing our expectations, designing a modern arch that also suggests the woods prior use as barrel staves. The warmth of the woods amber grain, subtle signs of age (occasional nail holes, subtle stress cracks and variety of color) and the intimacy of this vaulted form, come together in uniting two spaces, setting the tone for an intoxicating architectural experience. The architect had the material milled to the exact spec, with clear calculations and instructions provided to the contractor, limiting site waste and labor.

But the initial material choice came from the clients, seeking out the sublime beauty of reclaimed swamp Cypress, along with it’s sustainability. Sam Tonos, a Mississippi native (of some years back), may have equally been drawn to the woods Southern roots.

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