Left to Right: 1) Jackson Martin 2) Ilan Auherbuch 3) Richard Bottwin

 

“…Wretched refuse yearning to be free…” Emma Lazarus’ words on the base of the Statue of Liberty, in her poetic anthem to our ancestors and an American ideal of freedom. In the material world, and the wood one specifically, the refuse takes the form of discarded stair treads, broken bureaus, miles of bead board and wood shop off-cuts which rarely have a chance of freedom from the landfill. This is the stuff you see leaning on garbage cans or sticking up  over the top of dumpsters. But for pure quality of wood, these woods are hard to match, and surprisingly hard to acquire, harvested as they are in noctural rounds that require their pursuers to stay one step ahead of the trash truck.

The scraps may seem useless, unless you’re intending to piece together strictly functional furniture – an everyday practice in the developing world; or a modern furniture piece- a real rarity in the industrialized world. In New York City, Nadia Yaron and Nadia Scruggs, the design team at Nightwood,  collect and transform this prime material scrap into stunningly beautiful objects that even reflect the city’s diversity and hard knock charm.

Some of their sustainable works have included off-cuts from Sawkil Lumber Co., including reclaimed tank woods from a local brandy distillery and a Broadway theatre watertank. The design team was featured in New York magazine.

Through the 20th Century, we did more harm to the environment than we knew. Now, as Heather Rodgers exposes in ‘Green Gone Wrong’, we’re doing far less good than we imagine. Whether it’s U.S. car companies stalling fuel efficient cars, impotent carbon offset programs, the downside of biofuels, or toxic compromises in organic labeling, we are ‘undermining the environmental revolution.’ Market forces alone don’t work is a main argument, and Rodgers travels the ends of the earth to make the point. But what does work? She spotlights super energy efficient green buildings in Germany’s Black Forest, mass production green cars in China and organic farming in New York’s Hudson Valley (though this last at the cost of farmers living like starving artists). She’s chosen to highlight these areas rather than document the wrongs more comprehensively. There’s is no mention of the LEED green building standard or recycling programs, and limited discussion of the forces of human nature that may hold up progress. But there’s enough suggested in the delusion that buying earth friendly products can save the planet. The question are too large for any one country to answer  , but the seeds of change are out there. If not, then the June 2, 2011 headline may offer the best hope, “Planet Earth Doesn’t Know How to Make It Any Clearer it Wants Everyone to Leave.”

Next: Is reclaiming lumber good for the environment?

Reclaimed antique woods speak to qualities that don’t meet the eye; ones that are intangible, yet highly perceived. What are some of the immaterial qualities of these woods? How do we better understand their physiological and psychological impact? Is the affect changed and determined by the historical layers carried in the old woods? And how does our understanding of these qualities inform how we create, design and educate? Scientist Edward O. Wilson and Psychologist Erich Fromm each pointed to an idea of Biophilia, which may be a way to explore these questions.

The term “Biophilia” means “love of life or living systems”, coined by Fromm to describe the attraction to all that’s alive. Edward O. Wilson later widened the idea in his book Biophilia. They both shared the theory that a deep connection between humans and nature is based in our biology and part of our evolution. The hypothesis would help explain why people care for and try to save animals (and of course their own children),  plants and flowers. The natural love for life sustains life.
And included in this may be the pleasure in using wood, derived from living trees, even after the logs have been refined by the mill shop. But what about reclaimed wood? An aged and rough sawn surface may readily conjure similar rustic qualities in nature, and a more immediate experience of Biophilia. But the woods also carry history and qualities that don’t meet the eye. So is there an innate biological attraction to the nostalgia of past history, Histophilia? And what paradoxical (antique wood is still alive in a sense, yet conjures the past) and valuable role of opposition does it have within a modern environment?

Budding young architects probably can’t start building too early or thinking too big – that’s what the people at Lego seem to believe, releasing their iconic building series that features the Empire State Building, Rockefeller Center and the Seattle Space Needle. Little timber framers may prefer Lincoln Logs.

A building series with recycled materials, solar energy and a LEED-TC (Toy Construction) rating may not be long away.

 

Columbia U. along with the architectural firm Renzo Piano Building Workshop (RPBW) are constructing a multi-block science center in West Harlem. The project is pursuing LEED certification, a sustainable building standard developed by the U.S. Green Building Council. But the multi-block construction may not just earn Green credit for what is going up, but on what is going down.

LEED awards credits for the amount of Construction and Demolition (C & D) waste that is diverted from the landfill; 1pt for 50% recycling, 2pts for 75%, and 3pts for ‘Exemplary Performance’ (EP) of 95%. Columbia appears on target to exceed the 95% rate, especially with certain waste items, and in at least one category – reclaimed lumber – it appears to be the first large scale LEED project in New York City to recycle this material in achieving the point.

New York City generates 13,500 tons of C & D waste every day. A significant percentage is wood – from plywood and 2 x 4’s to fine woodwork and century old timber. The last has the most ready re-use market, and the bulk of the wood at the Columbia U. project falls into this category.

The Columbia U. project is achieving a high recovery rate through a three pronged strategy, separating salvaged lumber for 1) High end millwork (flooring, moldings, furniture etc.) 2) Heavy construction (lagging and sheeting of excavated sites and utility lines) and 3) Processed wood products (mulch, stable bedding, etc.).

The Mayor’s office is concerned enough about wood waste that they are considering a recommendation from the Urban Green Council (www.urbangreencouncil.org), which would require demolition projects to salvage large dimensional lumber.