‘At Their Feet, Crafted by Hand’

American made shoes are kicking their heals in the air these days, according to a recent NYTimes feature “At Their Feet, Crafted by Hand” (Eric Wilson, 4/20/11). The story follows a recent upswing in buyers of American footwear (sales are up 50%), where only a handful of manufacturers still exist.

‘Trend’ is uneasy word for an industry that relies on a steady customer base. But at $360 for a pair of Allen Edmonds or Alden’s, the price shouldn’t create mass market stampedes. And in the current economy, the market rise can look like an anomaly.

But the news piece doesn’t wear out much shoe leather tracking down the reasons for the rise in high end shoe sales. Though cultural studies professors at FIT weren’t tapped for explanations, they spot some of the appeal, in value. A well cared for pair of top line shoes can last for fifteen years, and Allen Edmonds has a reconstruction program ($90 from heel to toe) that may well keep their shoes going a lifetime.

‘At Their Feet, Crafted by Hand’ could have also been pointing to the reclaimed antique floors (from American made trees) under the foot of these shoes – much of the same quality, process, and pricing fit.

Photo by Darren Hauck for the New York Times

 

Jugaad Urbanism

“Jugaad Urbanism: Resourceful Strategies for Indian Cities” in NYC!

The intense environment of 1.1 billion people living in India has generated a range of strategies for the efficient use of space and energy. Many of the responses come from citizens ‘making-do’, and these ideas then developed into sustainainble projects by architects, urban planners and government. Juggaad Urbanism (a Hindi term used to describe an innovative and resourceful solution), currently on exhibition at the Center for Architecture, highlights some of the ingenious work that includes spinning wheels, skywalks, new recycled materials and reclaiming every scrap of wood (A subject of a future blog entry).

But the remarkable resourcefulness of everyday life in India, where little is wasted; and recycling, fixing and minimalism is an everyday necessity, can seem a model with as much value as the mountains of overseas containers that enter the U.S. market.

Time – February 10- May 21, 2011

Location – AIA Center for Architecture, 536 La Guardia Pl (between Bleecker and W 3rd St), New York City
Find out more at: http://cfa.aiany.org/index .php?section=upcoming&expid=136

 

 

Greenest New Yorker Award

New York Stateʼs first-ever award for the “Greenest New Yorker” was announced on Earth Day, Thursday, April 22. Brooklyn artists Nicola Armster and Brendan Smith were honored to design the award plaque, which “…captures the history of New York and itʼs commitment to building a green and sustainable future.” Constructed from reclaimed woods supplied by Sawkill, each of the ten species originated from historic buildings throughout New York State.

The contest, part of New York Stateʼs I LOVE NEW YORK initiative, was created “to celebrate those individuals who are doing their part to keep the Empire State green.” Entries, were judged by a panel of celebrities and influential green New Yorkers, including Chef, author, and restaurateur Mario Batali; Josh Dorfman, author of “The Lazy Environmentalist on a Budget; eco-friendly and healthy home interior designer Robin Wilson; and the architect Morris Adjmi.

 

Reclaimed driftwood washes up onto Union Sq.

Howard occupied a spot in Union Sq. after the authorities confiscated his makeshift cart, attached to the back of his bike, and used for delivery of driftwood to florists in the city. The exquisite collection, which he harvests from rock crevices that line the upper Hudson, is called “Art by God”. He can be reached at artbygoddriftwood@yahoo.com

American Rustic

The NY Times Home section (March 24, 2011) featured a story on the appeal of 20th Century American objects – simple, durable and useful (at least at one time). A handful of stores around the city curate a revolving selection, with outposts in Williamsburg, Soho and the East Village. Why a feature piece now? The classic aesthetic may be an antidote to our mass produced and increasingly high-tech (as this web blog) objects and lifestyles. Or a reaffirmation that America was and still is, or can be, a place that reflects the values of the aesthetic, as the country works through economic and social crisis that tend to force questions about core values. Looking back is a ever present resource for a culture going forward. But the piece does not focus on these objects in modern spaces. It celebrates the carefully designed rustic setting, where modern life is reflected as an undercurrent in the subtle juxtapositions of different decades and interesting objects (a separate trend in itself) that have lost functions. Some may question whether nostalgia has it’s hazards beyond a certain point. But there’s no denying it’s place.

There’s also a strong nod to Ralph Lauren for cultivating this branch of fashion in the late 1960’s. The piece is written by Emily Weinstein and includes a beautiful gallery of photos, many with a vintage wood backdrop – the lumber version of American Rustic.

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